Taneční dílny v rámci Mezinárodního festivalu Konfrontace

Mezinárodní festival nového tance Konfrontace 2002 připravuje následující taneční dílny. Přihlášky je možné zasílat v termínu nejpozději do 15. října 2002 na adresu project@divadlo.cz

Účastnický poplatek bude vybírán v hotovosti v místě konání dílny. Další informace o festivalu na www.divadlo.cz/konfrontace
Program festivalu

 

Taneční dílna s Teddem Robinsonem (Kanada)

24.10.02/ 10,00-12,00 h Roxy-NOD
Účastnický poplatek: 150,- Kč/ pro studenty tanečních škol 100,- Kč
Ve spolupráci s Kanadskou sezónou

Struktura Teddovy lekce vychází z metody předního kanadského tanečního pedagoga Petera Bonehama. Užívá jednoduché techniky pro srovnání těla, aerobní posílení a systém zvýšené koncentrace, které směřuje k výuce své osobité filosofie performance.
Kontext a styl pedagogické práce Tedda Robinsona byl zásadně ovlivněn šestiletým obdobím přípravy a působení jako zenbudhistického mnicha.

Tedd Robinson, born in Ottawa, graduated with a Bachelor of Fine Arts from York University and studied at The School of Toronto Dance Theatre and with eminent British visual theatre artist Lindsay Kemp. Robinson first rose to prominence as the Artistic Director of Winnipeg Contemporary Dancers, (1984 -1990), where he created highly theatrical ensemble works. Having returned to Ottawa in 1990 to pursue a solo career, he is now firmly established as choreographer, educator and solo artist whose critically acclaimed, award-winning and utterly unique works have won him a multitude of commissions and an international schedule of touring and teaching.
His work Rokudo: six destinies in three steps, received the 1998 Chalmers National Dance Award. Red Line created as a complimentary solo to Rokudo, was nominated for a Dora Mavor Moore award following its premiere at DanceWorks 100 in Toronto. His most recent solo work, Rigmarole, was premiered at the Canada Dance Festival 2000 and will tour nationally and internationally over the next two years.
In 2000, Robinson was one of four Canadian choreographers invited to take part in "CJ8", a Harbourfront initiative showcasing 8 world premieres by 8 world-renowned choreographers from Canada and Japan, for which Robinson created Grey Suit But Black Dress, a duet for Mako Kawano and Mitsutake Kasai. CJ8 toured Canada in 2000 and Japan in 2001.
Robinson's commission for Denise Fujiwara Heroic Garb and Intimate Marching has recently been nominated for a Dora Mavor Moore Award for Outstanding New Choreography, following its premier at the CanAsian Festival in March 2001.
Tedd Robinson is Artistic Director of 10 Gates Dancing Inc., a non-profit company formed in 1998 that provides points of entry to contemporary theatrical dance works. Since its inception, the company has created a unique body of work for some of the most renowned dance artists and companies in Canada and has held a unique role in the field of dance through its mentorship activities with choreographers in Canada and abroad.

 

Taneční dílna "Breaking" s Ru Padolskym (Kanada)

24.10.02/ 14,00-16,00 h Roxy-NOD
Účastnický poplatek: 150,- Kč/ pro studenty tanečních škol 100,- Kč
Ve spolupráci s Kanadskou sezónou

Dvouhodinový úvod do nových technik "Breaking dance" s důrazem na stylové prvky. Dílna zahrnuje i krátkou rozcvičku. Ru Padolsky působí jako breakový tanečník velmi osobitého stylu v Kanadě a Spojených Státech již šest let . S Teddem Robinsonem a 10 Gates Dancing Inc spolupracuje již téměř dva roky.

 

Taneční dílna s Davidem Zambranem "A dance-web" (Holandsko/Venezuela)

29.-31.10.02/ 10,00-14,00 h Roxy-NOD
Účastnický poplatek: 500,- Kč/ pro studenty tanečních škol 350,- Kč

David Zambrano o své dílně: "Při vytváření pohybových kompozic mě zajímá vytvoření a rozvíjení dynamiky složitých systémů demonstrujících vůdčí roli. Podle vědy buňky k vytvoření života nepotřebují proteinového vůdce. Ani mozek nepotřebuje k vytvoření myšlenky jednoho proteinového vůdce. Pokud tento vědecký a osobní pohled zobecním, mohl bych říci, že ani svět ke své existenci nepotřebuje vůdce. Během mé dílny improvizace budu se studenty tento pohled uplatňovat prostřednictvím jednoduchých fyzických her. Vytvoříme skupinovou dynamiku, která bude svým způsobem flexibilní, mnohovrstevná a součinná - při zachování prostoru pro nepředvídatelné - a zároveň se bude neustále vyvíjet a transformovat taneční prostor."

DAVID ZAMBRANO was born in Venezuela, used to live in New York City for l6 years and has been a legal Dutch resident for the last four years.
Dancer , choreographer and teacher of dance, he travels unceasingly dedicating his life to cultural exchange and to the creative process of dance in each country where he has worked. He has presented and taught his own work in no less than forty countries in Europe, Asia, and the Americas. He was the founder, director and organizer of the Festival of Post-Modern Dance of Venezuela (l989-1993), positively promoting abroad his country and its new generation of dancers and choreographers. On several occasions, he has won many grants for the production of his pedagogical and choreographic projects.

 

Taneční dílna s Johnem Jaspersem (USA)

1.11.02/ 10,00-12,30 Roxy-NOD Účastnický poplatek: 150,- Kč/ pro studenty tanečních škol 100,- Kč

Dílna začne rozcvičkou zaměřenou na anatomii a vycházející z tradičních i současných technik, jejichž cílem je regulace a přeměna proudu energie v těle umožňující jeho podporu v práci se zemských povrchem a naše spojení s prostorem. Jaspers bude vyučovat pohybový materiál svých choreografií, orientovaný na užívání naší tělesné váhy v souladu s gravitací v plném nasazení a čistém tanci.

John Jasperse has been living and working as a choreographer in New York City since graduating from Sarah Lawrence College in 1985. He is Artistic Director/Choreographer of John Jasperse Company. He has created several shorter works, seven evening-length works: Rickety Perch (1989), Eyes Half Closed (1991), furnished/unfurnished (1993), Excessories (1995), Waving to you from here (1997) Madison as I imagine it (1999), and Giant Empty (2001), as well as various projects in collaboration with other artists. Recent shorter works include Scrawl (1999), and Fort Blossom (2000). Current Company repertory includes Giant Empty, Excessories, Waving to you from here, Madison as I imagine it, Fort Blossom and Scrawl which, to date, have been presented by festivals and presenting organizations in the United States, Brazil, Israel, Japan, and throughout Europe.
John Jasperse Company is currently touring an evening-length project, Giant Empty (2001), which is a co-production of Ballett Frankfurt and The Brooklyn Academy of Music in collaboration with co-commissioning partners the American Dance Festival and the Portland Institute for Contemporary Art. Development of the work was also made possible through the National Dance Project of the New England Foundation for the Arts, with funding from the National Endowment for the Arts, the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, and the Philip Morris Companies, Inc., Pennsylvania Council on the Arts, and The British Council. Additional funds for the development of the work were provided by the National Endowment for the Arts, the Jerome Foundation of St. Paul, MN, Creative Capital Foundation, The Greenwall Foundation, an Artist's Fellowship in Choreography from the New York Foundation for the Arts, the James E. Robison Foundation, and The Goethe-Institute. Jasperse has created three works for other companies: a work commissioned by the Baryshnikov Dance Foundation for White Oak's Dance Project (2000), a work commissioned by the Batsheva Dance Company in Tel Aviv, Israel (2000), and, most recently, a double face for the Lyon Opéra Ballet, which premiered in March 2002.
Jasperse's work has been awarded several prestigious prizes both in the United States and abroad. He received a New York Dance and Performance ("Bessie") Award in 2001 in recognition of his body of choreographic work. He was designated the 1999 recipient of the Scripps/ADF Primus-Tamaris Fellowship. In 1998, Jasperse was awarded the Doris Duke Award in recognition of his choreographic achievement. He was awarded the 1997 Mouson Award by Künstlerhaus Mousonturm in Frankfurt, Germany. In the 1996 Rencontres Internationales Chorégraphiques de Bagnolet, he was awarded both the Prix d'Auteur and the Prix de Jan Fabre pour l'ouvre le plus subversif for Excessories; the Company was equally awarded the Prix d'ADAMI for group interpretation. In October 1996, JJC was awarded the Choreography Prize at the 3rd Suzanne Dellal International Dance Competition for Excessories.
Jasperse's choreographic work has been supported by fellowships from John Simon Guggenheim Memorial Foundation (1998), the National Endowment for the Arts (1992, 1994,1995-96) and the New York Foundation for the Arts (1988, 1994 and 2000). In addition to numerous commissions for new works, his work and the Company have also been supported by grants from Arts International, Creative Capital Foundation, Dance Magazine Foundation, Fonds d'Aide a la Production Chorégraphique du Conseil Général de Seine-Saint-Denis (France), Foundation for Contemporary Performance Arts, The Harkness Foundation for Dance, Heathcote Art Foundation, Jerome Foundation, Mary Flagler Cary Charitable Trust, James E. Robison Foundation, Meet the Composer the National Endowment for the Arts and the Lila Acheson Wallace Theater Fund, established in The New York Community Trust by the founders of The Reader's Digest Association.
Since 1991, he has regularly taught workshops and classes in the U.S., Europe, Mexico, and Brazil. As a dancer/performer, he began his career working with Lisa Kraus and Dancers (1985-1987), creating original roles in four works, and performing in the US and Europe. In 1988 and 1989, he worked in Belgium with Anne Teresa de Keersmaeker's Rosas, performing in Ottone, Ottone in major festivals and venues through Europe. From 1987 to 1993, he worked with Jennifer Monson, both performing in her work and collaborating on improvisation projects.